This pioneering introduction to Stanislavsky's methods and modes of actor training considers: Recreating 'truthful' behaviour in the artificial environment; Awareness and observation; Psychophysical work (mind, breath and body); Given circumstances; Visualization and imagination; Group and partner work; Scene work: selecting and analysing from a text; Preparing for a performance.

In pre-publication, Bennett was listed as the primary author.

"An excellent acting textbook for any instructor aiming to provide a thorough overview of the System. Its wealth of references to other performance practices as well as its solid foundation in the latest scientific research offers an excellent blend of traditional and contemporary acting theory and practice." Theatre Library Association "This is an incredible book.? A wonderful comprehensive examination of the subject and powerful exercises to work the acting theory." Robert Yowell, Northern Arizona University, USA "The book offers an extensive collection of Stanislavskian techniques, extending them in a way that is accessible to the classroom. It makes convincingly the case that Stanislavskian techniques still have relevance to the training of contemporary actors." Konstantinos Thomaidis, University of Portsmouth, UK "A wonderful compilation of historical perspective and creative explorations. Expertly defines and explains Stanislavsky's approach and impact on actor training." Shawn J. Clerkin, Gannon University, USA "Fantastic discussion of body, voice, mind, and spirit as they pertain to acting technique." Leah Roy, Wake Forest University, USA "Provides a deep and respectful understanding of the basic principles and working methods of Stanislavsky." Kirsten Due Kjeldsen, VIA University College, Denmark