A rollicking, wide-reaching annotated soundtrack of pop stars, phone psychics, Elvis impersonators, and other marvels of the human voice.
"This striking debut is graceful even in its portrayal of the most barbaric groans and yelping cries."
—Publishers Weekly
"“In a brilliant combination of rigorous study and conversational tone, actor and essayist Passarello has created a remarkably entertaining and thought-provoking look at the human voice and all of its myriad functions and sounds.... A wonderful collection for any reader and every library. Highly recommended.”
—Library Journal, Starred Review
“In this eclectic collection of essays, actress and writer Passarello explores the ways in which our voices define us, refine us, and connect us to one another.... Passarello, the first woman to win the annual Stella Screaming Contest in New Orleans, informs and delights in this witty, original read.”
—Booklist
“Standout pieces include a biography of the most famous scream in Hollywood history; a breakdown of the relationship between song and birdsong; and an analysis of the sounds of disgust. Akin to: A dinner party at which David Sedaris, Mary Roach and Marlon Brando are trying to out-monologue one another.”
—Philadelphia Weekly
“What she’s produced here is a masterfully orchestrated collection of essays, so finely tuned and executed that they ring with choirboy clarity.... Not only an authority on the human voice, but also one hell of an entertaining writer.”
—DIAGRAM
“The beauty of Elena Passarello's voice is that it's so confidently its own. She's not selling her subjects. She writes with the kind of calm assumption of interest you make in a good friend (if a good listener) over dinner. But what she's saying is always unexpected, and full of information. I began randomly with her essay wondering what the space aliens will make of 'Johnny B. Goode' on the Voyager gold record, and couldn't stop after that.”
—John Jeremiah Sullivan
“When I first read Elena Passarello's essay, ‘How to Spell the Rebel Yell’, I was so excited I pumped my fist in the air and let out a celebratory, "Yessssss!" Her much-anticipated collection, Let Me Clear My Throat has that effect on the reader. This book is a stunning and exhilarating intellectual romp...”
—Steven Church, author of The Day After The Day After: My Atomic Angst, Theoretical Killings: Essays and Accidents, and The Guinness Book of Me: a Memoir of Record, and editor of The Normal School
“Elena Passarello's writing sings—and screams, quavers, and falls meditatively hushed—and this collection captures that startling range with the charm of the tracks on a crackling, spinning LP.”
—Paul Collins
"With her extraordinary powers of listening, Elena Passarello helps us hear the sorrow, the epiglottis, and the Allegheny River in the many wondrous things the voice can do besides talking."
—Amy Leach
